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Actors on Actors
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Penguins Unite
Colin Farrell and Danny DeVito talk lusting after Catwoman, staying sober and more.
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Like Father, Like Son
Arnold and Patrick Schwarzenegger on nepo babies, nude scenes and 'becoming the greatest star of all time.'
Reviews
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‘Weapons’
The kids are far from all right in a hypnotic horror mystery that pits parents against teachers, exploring the fear and anger that consume an American community when 17 children up and vanish.
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‘Freakier Friday’
Lindsay Lohan and Jamie Lee Curtis in a sequel that kicks up the body-swap complications but not the comedy. The characters don't seem different enough from themselves to allow the joke to detonate.
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‘An Officer and a Spy’
Released in the U.S. six years after its Venice debut, Roman Polanski's film about the Dreyfus affair is a lavish drama that still feels lacking, maybe because Polanski thinks it's about him.
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Critics Pick
‘It’s Never Over, Jeff Buckley’
Amy Berg's reverent documentary captures the late rocker who sang like Nina Simone crossed with Robert Plant crossed with an angel. It shows you that Buckley could have been a staggeringly huge star.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Awards
The Era of Emmy Sweepers
How Recent Trends Point to 'Adolescence,' 'Severance' and 'The Studio' Winning Big
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