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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘A Minecraft Movie’
Jason Momoa and Jack Black bro it up in a genially weightless video-game quest. The movie never stops goofing on itself, which is its appeal and its limitation.
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‘A Working Man’
In a competent but forgettable rehash from 'The Beekeeper' director David Ayer, Russian sex traffickers kidnap the wrong girl, unleashing stop-at-nothing vengeance from Jason Statham.
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‘The Friend’
Naomi Watts inherits a Great Dane in a dog movie that's really about accepting mortality. It's a by-the-numbers crowd-pleaser, though with more on its mind than your typical canine-centric tearjerker.
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‘The Luckiest Man in America’
A dependably endearing Paul Walter Hauser plays an infamous contestant on 'Press Your Luck.' The film itself is an unfortunate misfire, an overly fuzzy story of an underdog who gamed the system.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
Why the Theatrical Window Debate at CinemaCon Feels Hopeless
As if meeting consumers in every accessible market and keeping film slates diverse after bunk Q1 wasn't challenging enough
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