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All about the best new shows
'Kingdom of the Planet of the Apes' claimed the No. 1 spot at the domestic box office, earning $22.2 million on its opening day.
Swiss entry Nemo stormed the contest with the song "The Code," walking away with 591 points.
Rubin was a fixture in Hollywood who enjoyed rare longevity with a single station throughout his career.
When “Star Wars: Episode I — The Phantom Menace” debuted on May 19, 1999, few movies before (or since) were greeted with more fevered anticipation. Not only was the movie the first new…
For “Doctor Who’s” more than six-decade history, each lead has had their own uniform of sorts: Tom Baker’s scarves, Christopher Eccleston’s leather jacket and David Tennant’s…
'The Fall Guy' stunt performers Logan Holladay, Ben Jenkin and Troy Brown share how they crafted Ryan Gosling's death-defying scenes.
TV's most powerful showrunner talks the future of 'Bridgerton.'
The Brazilian superstar talks 'Funk Generation' and her first U.S. tour.
A Variety and iHeartRadio Podcast
The franchise essentially reboots with a tale of survival that connects with the spirit of 'Planet of the Apes.'
Ethan Hawke directs his daughter Maya Hawke in prickly, high-concept portrait of Flannery O'Connor.
Chris Pine directs himself as a dud of a Dude in a movie that's all whimsical non-jokes and wispy warped dialogue.
Francis Galluppi's lean, tight, and stylishly clever B-movie is an accomplished pressure-cooker thriller.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Dua Lipa's new album is a joyous blast of pop savvy.
Taylor Swift renews her vows with heartbreak in this audacious, transfixing album.
Vampire Weekend reinvents itself again with an unusual fusion of baroque-esque grandeur.
Being Beyoncé means never having to pretend to be just one thing.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02Why the packaging of Disney+, Hulu and Max has more potential benefit for WBD than the Mouse House
With the appetite of a hungry grizzly, “The Bear” could gobble up a few Emmy records for its sophomore season. Fresh off a smashing first season that set a new benchmark for comedy…