Brand denied the charges, which are related to four separate women and incidents that took place between 1999 and 2005.
TikTok's parent company will have 75 more days to find buyer.
Chi McBride has been cast in the upcoming Netflix series “I Will Find You,” Variety has learned exclusively. McBride joins previously announced lead Sam…
In a highly competitive situation, Max has landed the rights to develop a drama series based on the Vanity Fair article “NYPD Confidential: Inside America’s Most…
As Sean “Diddy” Combs’ federal trial approaches next month, prosecutors have filed a superseding indictment with additional charges of sex trafficking and transportation…
TV
‘Dying for Sex’ Review
Michelle Williams' superb series is a defiantly joyful tale of terminal cancer and BDSM.
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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘A Minecraft Movie’
Jason Momoa and Jack Black bro it up in a genially weightless video-game quest. The movie never stops goofing on itself, which is its appeal and its limitation.
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‘A Working Man’
In a competent but forgettable rehash from 'The Beekeeper' director David Ayer, Russian sex traffickers kidnap the wrong girl, unleashing stop-at-nothing vengeance from Jason Statham.
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‘The Friend’
Naomi Watts inherits a Great Dane in a dog movie that's really about accepting mortality. It's a by-the-numbers crowd-pleaser, though with more on its mind than your typical canine-centric tearjerker.
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‘The Luckiest Man in America’
A dependably endearing Paul Walter Hauser plays an infamous contestant on 'Press Your Luck.' The film itself is an unfortunate misfire, an overly fuzzy story of an underdog who gamed the system.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
Why the Theatrical Window Debate at CinemaCon Feels Hopeless
As if meeting consumers in every accessible market and keeping film slates diverse after bunk Q1 wasn't challenging enough
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The Magazine
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How Charlamagne Tha God Built His Empire and Is Using His Platform to Lift Up Black Artists: ‘If What You Build Only Benefits You, It’s Not Big Enough’
By Andrew Wallenstein
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Netflix’s Ted Sarandos Isn’t Done Disrupting Hollywood: On Winning the Streaming Wars, a Marvel ‘Fistfight’ and Defending Meghan Markle
By Andrew Wallenstein
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YouTube at 20: How the Video Colossus Launched the Creator Economy and Turned From Hollywood Foe to Friend
By Andrew Wallenstein
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Tatum O’Neal Is Still Here: The Oscar Winner on Surviving Addiction, a Stroke and Coming to Terms With Being Left Out of Her Father’s Will
By Andrew Wallenstein
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