Variety Confidential
A true crime podcast on the history of the casting couch.
'Kingdom of the Planet of the Apes' collected $56.5 million in its first weekend of release.
'Squid Game: The Challenge' and 'Succession' actor Matthew Macfadyen were among the winners at the 2024 BAFTA TV Awards.
Jerry Seinfeld received an honorary degree at Duke University’s commencement on Sunday, but before he could begin his speech, the comedian was met with student walkouts. According…
“The Substance,” Coralie Fargeat’s buzzy horror movie starring Margaret Qualley and Demi Moore, has sold to one of France’s biggest distributors, Metropolitan FilmExport, ahead of its…
Hello again, Wisconsin! “That ’90s Show” has revealed the complete lineup of guest stars for Parts 2 and 3, including Will Forte, Seth Green, Lisa Loeb, Carmen Electra, Wayne…
Ron Howard pays tribute to Roger Corman for mentoring a generation of filmmakers and giving opportunities to women in film.
TV's most powerful showrunner talks the future of 'Bridgerton.'
The Brazilian superstar talks 'Funk Generation' and her first U.S. tour.
A Variety and iHeartRadio Podcast
The franchise essentially reboots with a tale of survival that connects with the spirit of 'Planet of the Apes.'
Ethan Hawke directs his daughter Maya Hawke in prickly, high-concept portrait of Flannery O'Connor.
Chris Pine directs himself as a dud of a Dude in a movie that's all whimsical non-jokes and wispy warped dialogue.
Francis Galluppi's lean, tight, and stylishly clever B-movie is an accomplished pressure-cooker thriller.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Dua Lipa's new album is a joyous blast of pop savvy.
Taylor Swift renews her vows with heartbreak in this audacious, transfixing album.
Vampire Weekend reinvents itself again with an unusual fusion of baroque-esque grandeur.
Being Beyoncé means never having to pretend to be just one thing.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02Why the packaging of Disney+, Hulu and Max has more potential benefit for WBD than the Mouse House
With the appetite of a hungry grizzly, “The Bear” could gobble up a few Emmy records for its sophomore season. Fresh off a smashing first season that set a new benchmark for comedy…