For Power of Women: Nashville, country-pop star Ballerini talks her new music and the romance that inspired it.
Florence Pugh leads a group of D-list antiheroes in a film that balances self-deprecating comedy with mental health concerns.
Andrew Karpen, a widely respected film executive and the founder of Bleecker Street Media, died on Monday. He was 59. Karpen, an easygoing fixture of the indie film…
Music
Beyoncé Thrillingly Mashes Up 'Cowboy Carter' and 'Renaissance' in Nearly Three-Hour L.A. Tour Opener: Concert Review
What if Beyoncé had put her two latest releases, “Renaissance” and “Cowboy Carter,” out as a single project? It seems impossible on the face of it, given how there are…
Alex Cooper, creator and host of the megahit podcast “Call Her Daddy,” will be the subject of a new Hulu docuseries titled “Call Her Alex.” The series will debut at…
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‘The Smashing Machine’ Trailer
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Actors on Actors: Broadway
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George Clooney and Patti LuPone Get Honest About Broadway Pay
They also talk surviving the Trump era and Elon Musk: 'Isn't he destroying the government?'
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Jake Gyllenhaal and Audra McDonald on Playing Broadway Villains
The pair gets honest about stage fright and cell phones disrupting performances.
Reviews
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‘The Accountant 2’
Ben Affleck's autistic action savant makes a winning return in a thriller that improves on the first 'Accountant's' messiness. With scenes that sprawl enjoyably, it's the action film as hangout movie.
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‘Sinners’
In Ryan Coogler's lush, enveloping from-dusk-till-dawn vampire epic, Michael B. Jordan plays criminal twins who set up a juke joint in '30s Mississippi. A look at the wages of sin in Black America.
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‘On Swift Horses’
A queer drama that explores coming out in the 1950s. Jacob Elordi and Will Poulter are brothers, and Daisy Edgar-Jones a conflicted bride, in a movie that's too often tidy and artificial-feeling.
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‘The Shrouds’
David Cronenberg makes a movie about grief (and digital gravestones) that verges on somber self-parody. Vincent Cassel plays a Cronenberg surrogate like the Boris Karloff of Eurotrash death fetishism.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
Horror Overkill: Too Many Scary Movies Set for 2025 Theatrical Release
"Sinners" is killing it, but "Until Dawn" is yet another struggling horror effort after many this year
Awards
Ryan Coogler's 'Sinners' Is the First Oscar Movie of 2025
The vampire movie stands to redefine both Coogler's career and the Academy's stale boundaries around horror
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The Magazine
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George Clooney and Patti LuPone Get Honest About Broadway Pay, Surviving the Trump Era and Elon Musk: ‘Isn’t He Destroying the Government?’
By Andrew Wallenstein
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Noah Wyle Was Nearing a ‘Nervous Breakdown.’ Then Came ‘The Pitt’: It’s ‘Infuriating We Can’t Come to a Consensus’ on Masks and Vaccines
By Andrew Wallenstein
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How Charlamagne Tha God Built His Empire and Is Using His Platform to Lift Up Black Artists: ‘If What You Build Only Benefits You, It’s Not Big Enough’
By Andrew Wallenstein
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Netflix’s Ted Sarandos Isn’t Done Disrupting Hollywood: On Winning the Streaming Wars, a Marvel ‘Fistfight’ and Defending Meghan Markle
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