Just Watched
All about the best new shows
Fashion's biggest night is underway. See the best looks from the carpet.
"The Strangers" is releasing three movies in one year, with plans for a 4-hour cut of the trilogy.
Kim Godwin hoped to build ABC News’ future by cutting out some of its past. Tasked, ostensibly, with shaking up a culture of the Disney-backed news organization that pit anchors…
The new Superman suit has officially debuted. As filming on James Gunn’s “Superman” (formerly “Superman: Legacy”) continues, the writer-director shared to his Threads account a…
Tracy Morgan will star in a new Paramount+ comedy series that is set in the same world as the CBS show “The Neighborhood,” Variety has learned. The half-hour multi-cam comedy…
TV's most powerful showrunner talks the future of 'Bridgerton.'
The Brazilian superstar talks 'Funk Generation' and her first U.S. tour.
A Variety and iHeartRadio Podcast
Ryan Gosling is a lover and a (stunt) fighter in a surprisingly romantic reboot of the '80s action show.
Two misfit teens bond over an uncannily formative '90s fantasy series in a strikingly styled not-quite-horror film that lacks tight focus.
Jerry Seinfeld directs and stars in a biopic of the Pop-Tart. It's based on a true story but it's knowingly nuts.
Svetlana Zill and Alexis Bloom's film captures a legendary rock 'n' roll figure's glamour and artistry, but it's most indelible laying bare the destructive underbelly of the rock counterculture.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Dua Lipa's new album is a joyous blast of pop savvy.
Taylor Swift renews her vows with heartbreak in this audacious, transfixing album.
Vampire Weekend reinvents itself again with an unusual fusion of baroque-esque grandeur.
Being Beyoncé means never having to pretend to be just one thing.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02As Paramount's M&A saga twists and turns further, what would be the best road forward for its flagship SVOD under a buyer?
Hollywood legends gathered Saturday night to celebrate Nicole Kidman as she received the prestigious AFI Life Achievement Award, the highest honor bestowed by the American Film…