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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘Death of a Unicorn’
Paul Rudd kills the wrong magical creature in a biting horror satire. Director Alex Scharfman offers an amusingly dark take on the beloved fantasy beast, filling a unicorn-shaped hole in cinema.
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‘Snow White’
More frolicsome and less lead-footed than most of the live-action Disney remakes. Rachel Zegler's Snow White has a pert glow, and Gal Gadot, as the Evil Queen, glares like a furious dominatrix.
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Critics Pick
‘Thank You Very Much’
Alex Braverman's documentary traces the life and career of Andy Kaufman — but more than that, it understands him. It uses rare footage to show how Kaufman was an avatar of the entertainment age.
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‘A Working Man’
In a competent but forgettable rehash from 'The Beekeeper' director David Ayer, Russian sex traffickers kidnap the wrong girl, unleashing stop-at-nothing vengeance from Jason Statham.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
New Ubisoft Arm Just for 'Assassin's Creed,' Two Others Shows Transmedia's Unique Needs
"Assassin's Creed," "Far Cry" and "Rainbow Six" will lead assets for company amid market rush for multimedia licenses
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