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Actors on Actors
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Penguins Unite
Colin Farrell and Danny DeVito talk lusting after Catwoman, staying sober and more.
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Like Father, Like Son
Arnold and Patrick Schwarzenegger on nepo babies, nude scenes and 'becoming the greatest star of all time.'
Reviews
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‘The Naked Gun’
Liam Neeson skewers himself in an engaging goofball grab bag that rarely shocks you into laughter. It's got a handful of inspired jokes but lacks the quality of aggression that the ZAZ films had.
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‘The Fantastic Four: First Steps’
Marvel gets its mojo back with a satisfying retro-styled reboot. The studio cuts back the overcrowded feel of recent offerings while delivering its most gargantuan threat yet in the villain Galactus.
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‘Together’
Dave Franco and Alison Brie fall apart (and fuse together) in a looney-tunes bash about the body horror of love. Michael Shanks' movie is an over-the-top horror film with something on its mind.
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‘The Bad Guys 2'
The Bad Guys are now good guys in a benignly rambunctious sequel that's more affectionate than ha-ha funny — until it heads to outer space and becomes a gratifying spectacle.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Awards
The Era of Emmy Sweepers
How Recent Trends Point to 'Adolescence,' 'Severance' and 'The Studio' Winning Big
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