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Actors on Actors
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Penguins Unite
Colin Farrell and Danny DeVito talk lusting after Catwoman, staying sober and more.
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Like Father, Like Son
Arnold and Patrick Schwarzenegger on nepo babies, nude scenes and 'becoming the greatest star of all time.'
Reviews
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‘Caught Stealing’
Austin Butler plays a relatable loser in Darren Aronofsky's high-energy New York hustle. The director delivers a lively scuzzy tour of his home city that feels like 'After Hours' with more corpses.
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‘The Roses’
It's got bite and a funny script, but Jay Roach's remake of 'The War of the Roses' is still a bit of a misfire, because Benedict Cumberbatch and Olivia Colman never convince us they belong together.
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Critics Pick
‘Lurker’
A geek edges himself into a pop star's inner circle in an unnerving parable of the pathology of fame. Théodore Pellerin is startling as a hanger-on who will do anything it takes to hang on.
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‘Splitsville’
Fitfully funny but overworked, Michael Angelo Covino's exhausting knockabout rom-com, starring Kyle Marvin and Dakota Johnson, winds up making a stronger-than-intended case for divorce.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Awards
The Era of Emmy Sweepers
How Recent Trends Point to 'Adolescence,' 'Severance' and 'The Studio' Winning Big
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Rolling Stone
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WWD
Barclays: Inside China’s Changing Appetite for Luxury Goods
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TVLine
The Paper Snags Early Season 2 Renewal Just One Day Before Peacock Premiere