Top Story
Scott Rudin Returns
The disgraced producer plans his Broadway comeback after his workplace abuse allegations in 2021.
The live-action adaptation of the popular video game will release on March 26, 2027.
Music
Will Smith Addresses Chris Rock Oscars Slap on New Album: ‘My S— Still Hot Even Though I Won’t Get Nominated’
Will Smith wastes no time addressing his Chris Rock Oscars slap on new album “Based on a True Story,” which released on Friday. In fact, the project’s first track, “Int…
Music
Chet Hanks Recreates ‘Forrest Gump’ Scenes With Father Tom Hanks in ‘You Better Run’ Music Video
Chet Hanks reprises his father Tom Hanks’ iconic role as Forrest Gump in a new music video for his country duo Something Out West. His and Drew Arthur’s second single as…
Music
Ariana Grande Revisits the Pain and Joy of Love Lost and Found on ‘Eternal Sunshine Deluxe: Brighter Days Ahead’: Album Review
On “Past Life,” the penultimate track of “Eternal Sunshine Deluxe: Brighter Days Ahead,” Ariana Grande admits that she’s ready to move on from the divorce that cast a…
Film
‘Warfare’ Review
Alex Garland co-directs (with an Iraq War veteran) a film that purports to show us what war is really like. But has he just left out the story?
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Oscars
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‘Anora’ Leads With 5 Wins
'Anora' won best picture, director, lead actress, original screenplay and editing.
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Sean Baker Makes Oscars History With Four Wins for One Movie With ‘Anora’
Baker ties Walt Disney for most Oscars won in a single night.
Reviews
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‘Death of a Unicorn’
Paul Rudd kills the wrong magical creature in a biting horror satire. Director Alex Scharfman offers an amusingly dark take on the beloved fantasy beast, filling a unicorn-shaped hole in cinema.
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‘Snow White’
More frolicsome and less lead-footed than most of the live-action Disney remakes. Rachel Zegler's Snow White has a pert glow, and Gal Gadot, as the Evil Queen, glares like a furious dominatrix.
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Critics Pick
‘Thank You Very Much’
Alex Braverman's documentary traces the life and career of Andy Kaufman — but more than that, it understands him. It uses rare footage to show how Kaufman was an avatar of the entertainment age.
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‘A Working Man’
In a competent but forgettable rehash from 'The Beekeeper' director David Ayer, Russian sex traffickers kidnap the wrong girl, unleashing stop-at-nothing vengeance from Jason Statham.
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‘Interior Chinatown’
'Interior Chinatown' Struggles to Turn an Allegorical Novel Into a Show
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‘Dune: Prophecy’
HBO Prequel Series 'Dune: Prophecy' Capably Tailors the Epic Franchise to Television
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‘Landman’
Taylor Sheridan's 'Landman' Gives the West Texas Oil Fields the 'Yellowstone' Treatment
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'The Day of the Jackal’
Eddie Redmayne and Lashana Lynch's 'The Day of the Jackal' Is an Exhilarating Assassin Thriller
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‘Hit Me Hard and Soft’
Billie Eilish and producer Finneas keep up their winning streak with a surprising and intimate third album.
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‘Atavista’
Childish Gambino's latest is a masterpiece, and a kaleidoscopic showcase for his seemingly endless talents.
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‘Dark Times’
Vince Staples searches for light on his new album, his most vulnerable project to date.
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‘Radical Optimism’
Dua Lipa's new album is a joyous blast of pop savvy.
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‘An Enemy of the People’
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
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‘Long Day’s Journey Into Night’
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
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‘Tommy’
Strictly for the boomers.
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‘Water for Elephants’
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
VIP+
Most Consumers Wary of Fully AI-Generated Creative Content: Exclusive Survey
New findings show the majority of respondents are uncomfortable consuming creative material developed wholly by gen AI
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The Magazine
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How Charlamagne Tha God Built His Empire and Is Using His Platform to Lift Up Black Artists: ‘If What You Build Only Benefits You, It’s Not Big Enough’
By Andrew Wallenstein
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Netflix’s Ted Sarandos Isn’t Done Disrupting Hollywood: On Winning the Streaming Wars, a Marvel ‘Fistfight’ and Defending Meghan Markle
By Andrew Wallenstein
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YouTube at 20: How the Video Colossus Launched the Creator Economy and Turned From Hollywood Foe to Friend
By Andrew Wallenstein
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Tatum O’Neal Is Still Here: The Oscar Winner on Surviving Addiction, a Stroke and Coming to Terms With Being Left Out of Her Father’s Will
By Andrew Wallenstein
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