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Eminem announced that his 12th studio album "The Death of Slim Shady (Coup de Grace)" will be releasing this summer.
The Irish actor also talks the upcoming 'Star Wars: Skeleton Crew.'
Poppy Harlow and CNN are parting ways after the news outlet put the veteran correspondent through a whirlwind era as one of the co-anchors of an ill-conceived morning program that was u…
“Challengers” is getting ready to serve at the box office. Director Luca Guadagnino’s sexy tennis drama made $1.9 million at the the box office in Thursday previews. The…
It’s been well over a year since news first broke that Disney was moving forward with “The Princess Diaries 3.” Anne Hathaway can’t reveal any details, but she did assure fans in a rece…
Bill Skarsgård is a deaf-mute avenger in an action film so ultraviolent, it's like 'John Wick' gone 'Clockwork Orange.'
All the parties, events and performances at Coachella 2024.
An inside look at Tyler, the Creator's and Doja Cat's dazzling set pieces.
A Variety and iHeartRadio Podcast
Henry Cavill leads a pack of inglorious rogues in Guy Ritchie's spirited WWII coup.
A remake of 'Dracula's Daughter' turns into a brutally monotonous genre mashup.
The second chapter of Zack Snyder's sci-fi epic is as derivative as the first, but the climactic showdown sizzles.
Music makes the heart go round in Ned Benson's clunky remix of better rom-coms.
An ultra-violent and twistedly fun adaptation of the video game series.
Don McKellar and Park Chan-wook move metatextual matters to the center of a dense, ambitious, tonally varied account of the Vietnam War.
The Netflix series fails to offer a new or intriguing perspective on Patricia Highsmith's infamous scammer.
The Starz drama features Julianne Moore and Nicholas Galitzine as a mother and son scheming their way into the court of King James I.
Taylor Swift renews her vows with heartbreak in this audacious, transfixing album.
Vampire Weekend reinvents itself again with an unusual fusion of baroque-esque grandeur.
Being Beyoncé means never having to pretend to be just one thing.
Kacey Musgraves turns her collaboration with Daniel Tashian and Ian Fitchuk into a trilogy, with an album full of finger-picking and hard-fought bliss.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02The industry's embrace of always-online and subscription models puts video games' legacy at greater risk of disappearing
‘Succession’ has gone out with one final bang: The HBO drama won two Writers Guild of America Awards on Sunday night — the most of any series — for best drama series and also for best…