Just Watched
All about the best new shows
After months of M&A talks, Paramount Global and controlling shareholder Shari Redstone might be going it alone after all.
Variety's Marc Malkin appeared on 'Hacks' with Jean Smart, and nearly broke his NDA.
Siân Heder, director of best picture winner “Coda,” has signed on to direct the adaptation of “Tomorrow, and Tomorrow, and Tomorrow” for Paramount Pictures. The bestselling 2022…
It’s the first week of April, and Netflix vice president of stand-up and comedy formats Robbie Praw is severely under the weather. He’s just a month out from the launch of the second…
The “Night Court” sequel series has been renewed for Season 3 at NBC, Variety has learned. The multi-cam comedy aired its second season between December 2023 and March 2024, with…
The docuseries 'Spacey Unmasked' alleges Kevin Spacey groped a 'House of Cards' cast member on set, made an 'aggressive sexual move' on a schoolmate and more.
TV's most powerful showrunner talks the future of 'Bridgerton.'
The Brazilian superstar talks 'Funk Generation' and her first U.S. tour.
A Variety and iHeartRadio Podcast
Ryan Gosling is a lover and a (stunt) fighter in a surprisingly romantic reboot of the '80s action show.
Two misfit teens bond over an uncannily formative '90s fantasy series in a strikingly styled not-quite-horror film that lacks tight focus.
Jerry Seinfeld directs and stars in a biopic of the Pop-Tart. It's based on a true story but it's knowingly nuts.
Svetlana Zill and Alexis Bloom's film captures a legendary rock 'n' roll figure's glamour and artistry, but it's most indelible laying bare the destructive underbelly of the rock counterculture.
A one-note Jeff Daniels stars in this empty Netflix series.
Peacock's gruesome and grueling love story is set during the Holocaust.
Elisabeth Moss stuns in FX's fascinating spy thriller.
This 'Sandman' spinoff adapts Neil Gaiman's comic as a zany teen procedural.
Dua Lipa's new album is a joyous blast of pop savvy.
Taylor Swift renews her vows with heartbreak in this audacious, transfixing album.
Vampire Weekend reinvents itself again with an unusual fusion of baroque-esque grandeur.
Being Beyoncé means never having to pretend to be just one thing.
Sam Gold's production is an actorly face-off between Jeremy Strong and Michael Imperioli, but the script ultimately let's the audience off the hook.
Patricia Clarkson gives a luminous performance in an otherwise uneven revival of Eugene O'Neill's family drama.
Strictly for the boomers.
The stage adaptation has escapism, enchantment and heart, all elevated to new, literal heights that blend theater and cirque.
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
Perfection is rarely achieved in movies, but this heaven-sent concert doc hits the sweet spot. Over two days in January 1972, the Queen of Soul, Aretha Franklin — she was 29 at the time — sweeps into the New Temple Missionary Baptist Church in Watts in front of a congregation and testifies to God in song. The blessed thing took nearly half a century to come out because director Sydney Pollack failed to sync the image with the sound. Then digital angels stepped in, and glory, glory, hallelujah!
00:09:02With findings from both Luminate and Songstats, it's clear that the current "Big Three" rap row only has winners
Hollywood legends gathered Saturday night to celebrate Nicole Kidman as she received the prestigious AFI Life Achievement Award, the highest honor bestowed by the American Film…